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Mikdash
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In loving memory of Channa
Schreiber (Channa Rivka bat Yosef v' Yocheved) z"l,
with wishes for consolation and comfort to her dear children
Yossi and Mona, Yitzchak and Carmit, and their families,
along with all who mourn for Tzion and Yerushalayim.
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LECTURE 96b:
THE STRUCTURE OF THE MISHKAN AND ITS INTERNAL DIVISION
(part 2)
Rav Yitzchak Levi
“WHICH
WAS SHOWN YOU IN THE MOUNTAIN” – WHAT DID MOSHE SEE ON THE MOUNTAIN?
There is room to discuss whether the expressions that describe how God
showed the Mishkan to Moshe on the mountain relate to specific vessels or
to the structure of the Mishkan in general.
On the one hand, the first verse that serves as an introduction to the
entire command regarding the Mishkan states: "According to all that I
show you, the pattern of the Tabernacle, and the pattern of all its vessels,
even so shall you make it" (Shemot 25:9). It seems that the reference is
to the entire structure and all its vessels.
On the other hand, in the last verse relating to this matter – "Hollow
with boards shall you make it; as it was shown you in the mountain, so shall
they make it" (Shemot 27:8) – the reference is specifically to the outer
altar. Moreover, if the reference is to the pattern of all the vessels, why is
there a detailed and emphatic repetition regarding the outer altar?
Similarly, at the end of the command regarding the menora, we
read: "And see that you make them after their pattern, which was shown you in
the mountain" (Shemot 25:40). Is the reference to the menora with
its shaft, its branches, its bowls, its bulbs, and its flowers, or is the
reference to all the vessels, the commands regarding which had appeared earlier
(i.e., the ark, the kaporet and the keruvim, the table and the
menora)? And does the command, "And you shall rear up the Tabernacle
according to its fashion which was shown you in the mountain" (Shemot
26:30) relate to the structure as a whole, the boards, or the boards together
with the curtains?
When the Torah says that Moshe saw on the mountain the pattern of the
Mishkan and the pattern of all its vessels, does that also include the
courtyard and the screen of the gate of the courtyard? Is the command regarding
the incense altar (Shemot 30:1-10), which appears after the account of
the resting of the Shekhina following the offering of the daily
sacrifice, included in the pattern of all its vessels, or not?
The Rashbam explains:
"According to all that I show you" – According to all the images of the
vessels and the structures that the Holy One, blessed be He, actually showed to
Moshe. We find in Yechezkel regarding the Second Temple that He showed
him divine visions in Babylonia and He also showed him through speech and
explained to him, as it is written. And so it is proven before us: "As was shown
you on the mountain." If through speech alone, it should have said, "As was
shown you." Why did it need to say "on the mountain"? (Shemot 25:9)
The
Netziv adds the following explanation:
What this means is that all the details of the Mishkan correspond
to the details of the world that the Maker, blessed be He, created, and He
dwells in the world as a whole, and He commanded that they should make an
image of the entire world in the building of the Mishkan and its vessels,
and the Holy One, blessed be He, showed Moshe an image of the entire world,
as will be explained in the coming passages. And because the Mishkan
follows the pattern of the world as a whole it was possible for God's
Shekhina to rest there. Several matters spelled out by Scripture seem to
us to be no more than a good way to build, such as the fifty loops of the
curtains, which might seem to be nothing but a way to join the curtains;
accordingly, if one would not be connected to its clasp it would not harm and
nullify the Mishkan. But this is not so, but rather it is of necessity,
in accordance with the structure of the world, that there be fifty loops. And
if one were missing, it would not have the pattern of the world, and the
Shekhina would be unable to rest within it.
The
Netziv says that in addition to the fact that the Mishkan must be
identical with the Mishkan that God showed Moshe at Sinai, in order for
the Shekhina to rest in this world, the Mishkan and its vessels
must resemble the world as a whole. In other words, there is a similarity in the
fine details between the Mishkan and the world, and therefore the
Shekhina can rest in it.
Thus, for example, the Netziv writes regarding the four corners
that are on the four legs of the table (Shemot 25:26) that "the Torah
only mentions those details that correspond to something in the creation of the
heaven and the earth."
The Netziv goes on to argue that it was not for naught that it was
specifically Betzalel who was chosen to fashion the Mishkan, for he knew
how to put together the letters with which the world had been created - with
wisdom, knowledge and understanding – so that the Mishkan would indeed
reflect and embody the structure of the world. Not all of the details regarding
the menora and the altar were explained, and there were uncertainties,
and therefore God taught him all the details in accordance with the pattern of
the world corresponding to the details of the menorah. In this way, the
Shekhina was able to rest in the world.
THE
MISHKAN AND THE CREATION OF THE WORLD
This fundamental connection between the Mishkan and the structure
of the world is related to various connections between the Mikdash and
the creation of the world.
This is emphasized with respect to the location of the permanent
Mikdash at the site of the creation of the world, as Chazal say in
the midrash:
There was a stone there [in the Holy of Holies] from the days of the
early prophets, called "Shetiya," raised three fingers from the ground,
upon which the ark had originally rested. After the ark was removed, they would
burn upon it the incense brought into the innermost chamber. R. Yose says: From
it was the world founded, as it says: "Out of Zion, the perfection of beauty,
God has shone forth" (Tehillim 50:2). (Tosefta, Yoma 2:14)
Furthermore, many midrashim note the significance of the fact
that the erection of the Mishkan was a completion of the creation of the
world. Thus, for example, we find in the Tanchuma on Parashat Naso
(as well as Pesikta De-Rav Kahana 1:1):
"Who has established all the ends of the earth" (Mishlei 30:4).
Did Moshe establish all the ends of the earth? Rather, he established the
Ohel Mo'ed, with which the world was established. It is not written here
"le-hakim Mishkan" ("setting up the Mishkan), but rather "le-hakim
et ha-Mishkan" (Bamidbar 7:1) – another Mishkan was set up
with it, which was called a tent, just as the Mishkan is called the Tent
of Meeting, as it is written: "That spreads them out as a tent to dwell in" (Yeshayahu
40:22). For until the Mishkan was set up, the world quivered, but once
the Mishkan was set up, the world became firmly established. Therefore,
it says: "Le-hakim et ha-Mishkan." (Naso 24)
There are several parallels between the creation of the world and the
building of the Mishkan:
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Both involved
wisdom, understanding, and knowledge:
The Lord by wisdom founded the earth; by understanding he established
the heavens. By his knowledge the depths were broken up. (Mishlei
3:19-20)
And I have filled him with the spirit of God, in wisdom, and in
understanding, and in knowledge, and in all manner of workmanship. (Shemot
31:3)
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When the work was
completed, it was seen as good:
And God saw everything that He had made, and, behold, it was very good.
(Bereishit 1:31)
And Moshe saw all the work, and, behold, they had done it as the Lord
had commanded, even so had they done it… (Shemot 39:43)
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The conclusion of
the work:
Thus the heavens and the earth were finished and all of their hosts. And
by the seventh day, God ended His work which He had done. (Bereishit
2:1-2)
Thus was all the work of the Mishkan of the Tent of Meeting
finished: and the children of Israel did according to all that the Lord
commanded Moshe, so they did. (Shemot 39:32)
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A blessing at the
conclusion of the work:
And God blessed the seventh day, and sanctified it; because in it He
rested from all His work which God had created and performed. (Bereishit
2:3)
And Moshe saw all the work, and, behold, they had done it as the Lord
commanded, even so had they done it: and Moshe blessed them. (Shemot
39:43)
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Creation and the
Mishkan
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Both are called work – "melakha."
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Both end with the sanctity
of Shabbat (Bereishit 2:1-3, Shemot 31:12-17).
The parallel in the order and in the details of the creation and the
Mishkan are spelled out in the following midrash:
R. Yaakov bar Asi said: Why does he say: "Lord, I love the habitation of
Your house, and the place where Your glory dwells" (Tehillim 26:8)?
Because it corresponds to the creation of the world. How so?
On the first day it says: "In the beginning God created the heaven and
the earth" (Bereishit 1:1). And regarding the Mishkan, it says:
"And you shall make curtains" (Shemot 26:7), and it says: "Who stretches
out the heavens like a curtain" (Tehillim 104:2).
On the second day it says: "Let there be a firmament" (Bereishit
1:6), and it mentions division, as it says: "And let it divide water from water"
(ibid.) And regarding the Mishkan it says: "And the veil be for you as a
division between the holy place and the most holy" (Shemot 26:33).
On the third day it mentions water, as it says: "Let the waters be
gathered" (Bereishit 1:9). And in Shemot it says: "You shall also
make a laver of brass, and its pedestal also of brass… and you shall put water
in it" (Shemot 30:18).
On the fourth day, He created the lights, as it says: "Let there be
lights in the firmament of heaven" (Bereishit 1:14). And regarding the
Mishkan it says: "And you shall make a candlestick of gold" (Shemot
25:31).
On the fifth day He created the birds, as
it says: "Let the waters swarm abundantly with moving creatures that have life,
and let birds fly above the earth" (Bereishit 1:20). And regarding the
Mishkan: "And the keruvim shall stretch out their wings on high" (Shemot
25:20).
On the sixth day, man was created, as it says: "So God created man in
His own image" (Bereishit 1:27). And regarding the Mishkan it
mentions a man who is the High Priest who is anointed to serve and attend before
Him.
On the seventh day: "Thus the heavens and the earth were finished" (Bereishit
2:1). And regarding the Mishkan it says: "Thus was all the work of
the Mishkan of the Tent of Meeting finished" (Shemot 39:32).
Regarding the creation of the world it says: "And God blessed" (Bereishit
2:3), and regarding the Mishkan it says: "And Moshe blessed them" (Shemot
39:43).
Regarding the creation of the world it says: "And God ended" (Bereishit
1:2), and regarding the Mishkan it says: "And it came to pass on the day
that Moshe had finished" (Bamidbar 7:1).
Regarding the creation of the world it says: "And He sanctified it" (Bereishit
2:3), and regarding the Mishkan it says: "And he anointed it and
sanctified it" (Bamidbar 7:1).
And why does the Mishkan correspond to the heavens and the earth?
Just as the heavens and the earth testify to Israel, as it is written: "I call
heaven and earth to witness this day against you" (Devarim 30:19), so too
the Mishkan is testimony for Israel, as it says: "These are the accounts
of the Mishkan, the Mishkan of the Testimony" (Shemot
38:21). Therefore, it says: "Lord, I love the habitation of Your house, and the
place where Your glory dwells." (Midrash Tanchuma, Shemot 38:21)
THE READINGS OF THE MEN OF THE MA’AMAD AND THE DAILY PSALM
There are two elements in the Temple service that emphasize the deep
connection between the creation and the Temple: the readings of the men of the
ma'amad and the recitation of the daily psalm in the Mikdash.
Regarding the ma’amadot, the mishna states:
On Sunday [they read], "In the beginning," and,
"Let there be a firmament"; on Monday, "Let there be a firmament," and, "Let the
waters be gathered together"; on Tuesday, "Let the waters be gathered together,"
and "Let there be lights"; on Wednesday, "Let there be lights," and, "Let the
waters swarm"; on Thursday, "Let the waters swarm," and, "Let the earth bring
forth"; on Friday, "Let the earth bring forth," and, "And the heavens [and the
earth] were finished." (Ta'anit 4:3)
Regarding the recitation of the daily psalm, the gemara states:
R. Yehuda said in the name of R. Akiva: On the
first day [of the week], what [psalm] did they [the Levites] say? [The one
commencing,] "The earth is the Lord's and the fullness thereof," because He took
possession and gave possession and was [sole] ruler in His universe. On the
second day, what did they say? [The one commencing,] "Great is the Lord and
highly to be praised," because he divided His works and reigned over them like a
king. On the third day they said, "God stands in the congregation of God,"
because He revealed the earth in His wisdom and established the world for His
community. On the fourth day they said, "O Lord, God, to whom vengeance
belongs," because He created the sun and the moon and will one day punish those
who serve them. On the fifth day they said, "Sing aloud to the God of our
strength," because He created fishes and birds to praise His name. On the sixth
day they said, "The Lord reigns, He is clothed in majesty," because He completed
His work and reigned over His creatures. On the seventh day they said, "A psalm
a song for the Sabbath day," for the day which will be all Sabbath. (Rosh
Ha-Shana 31b)
Like the Netziv, the gemara understands that the
significance of the fact that God showed the Mishkan to Moshe at Sinai is
that the Mishkan corresponds to the structure of the world.
“WHICH WAS SHOWN YOU IN THE MOUNTAIN” – LATER APPEARANCES
OF THIS EXPRESSION
The next appearance of this expression is after
the description of the menora, the table, and the other inner vessels
(the ark, the cover of the ark, and the keruvim) in Shemot 25:40.
Rashi explains (Shemot 25:40, s.v.
u-re'eh ve-aseh: "See here, in the mountain, the pattern which I show you.
This teaches you that Moshe was puzzled about the workmanship of the menora
until the Holy One, blessed be He, showed him the pattern of it in a menora
of fire."
The Maharal, in his commentary Gur Aryeh
(ad loc.), notes the apparent contradiction between Rashi's understanding that
Moshe had difficulty with the fashioning of the menora and the fact that
the Torah says here, "And look that you make them after the pattern, which was
shown you in the mountain," which refers not only to the menora, but also
to the table and the ark. The Maharal explains that according to Rashi, all of
the vessels were shown to Moshe.
Accordingly, it may be suggested that the Torah
mentions the fact that Moshe fashioned all the inner utensils because God showed
him their pattern on the mountain.
The third instance of this expression is in
Shemot 26:30, at the end of the description of the Mishkan and its
boards. The location of this expression implies that God showed Moshe not only
the complete Mishkan and its vessels, but also the order in which it was
to be set up.
Amos Chakham in his Da'at Mikra
commentary notes an interesting difference between the three instances of this
expression. The first time it says: "According to all that I will show you (mar'eh)"
(Shemot 25:9), that is, that I am about to show you. The second time, the
expression appears in the middle of the discussion of the Mishkan and its
vessels: "And look that you may make them after the pattern, which you are being
shown (mor'eh) in the mountain" (Shemot 25:40) – a participle
bearing the present tense. And the third time, at the end of the story, it says,
"And you shall rear up the Mishkan according to its fashion which was
shown to you (hor'eita) in the mountain," in past tense. Based on these
verses, Chakham suggests that Scripture may be alluding that Moshe saw at Mount
Sinai the heavenly Mikdash with all its details, and he was commanded to
build the earthly Mikdash according to that pattern.
What is the practical significance of the fact
that the Torah relates to the Mishkan as a copy of what God showed Moshe
on the mountain? Why does it mention this in very specific contexts: at the
beginning of the entire command relating to the Mishkan, after the
account of the candlestick, and after the description of the boards and the
Mishkan, and after the whole-burnt-offering altar?
It is possible that because the menora
and the whole-burnt-offering altar have a very detailed structure, they
therefore required a detailed illustration. But it may also be that the Torah is
alluding to an internal division of the Mishkan.
Following the general statement regarding the
pattern of the Mishkan and the pattern of all its vessels, the first
mention of the fact that the Mishkan was shown to Moshe on the mountain
is after the description of the menora. It is possible that this relates
to the vessels of the Mishkan as a whole – the ark, the kaporet,
the keruvim, the table and the menora.
The second mention appears after the description
of the structure of the boards and the curtains, and it relates to the structure
in which the aforementioned vessels are found.
The third mention appears after the description
of the whole-burnt-offering altar, and it relates to the altar in the courtyard.
In light of this, the basic division in the
structure of the Mishkan is between the structure itself, in which the
inner vessels are found (the ark, the kaporet, the keruvim, the
table and the menora), on the one hand, and the courtyard and its main
vessel, the whole-burnt-offering altar, on the other.
THE INCENSE ALTAR
To conclude this discussion, it should be noted
that one question remains - namely, the nature of those parts of the Mishkan
that God did not show Moshe on the mountain. What is the meaning of the
absence of these vessels from the overall list of the Mishkan? Assuming
that God did not show Moshe the incense altar on the mountain, what can this
mean? In order to understand this matter, we must first consider the spiritual
meaning of the incense altar.
God's command to Moshe regarding the incense altar appears after the
Shekhina rests in the Mishkan following the offering of the daily
sacrifice. The location of the command may teach that in general there is no
direct connection between the incense altar and the resting of the Shekhina.
The Shekhina can rest in the Mishkan even when there is no incense
altar.
What, then, is the role of the incense altar? It may be argued that the
primary role of the altar is to create a barrier between man and the revelation
of the Shekhina, and thus enable man's very entry into the sanctified
place. This also follows from the location of the altar:
And you shall put it before the veil that is by
the ark of the Testimony, before the covering that is over the Testimony, where
I will meet with you. (Shemot 30:6)
The main proof in support of this understanding is from the manner in
which the plague was stopped in Parashat Korach, when the incense
was offered by Aharon the priest:
And Aharon took as Moshe commanded and ran into
the midst of the congregation; and, behold, the plague had begun among the
people. And he put on incense, and made atonement for the people. And he stood
between the dead and the living, and the
plague was stayed. (Bamidbar 16:12-13)
Based on this, it is understandable that the first time that the High
Priest entered to the Holy of Holies on Yom Kippur was in order to bring in the
incense, and the last time he entered was in order to remove it.
If indeed the role of the altar was to create a barrier between man and
the revelation of the Shekhina, it is clear why God did not show the
pattern of the altar to Moshe on the mountain.
THE COURTYARD AND THE GATE OF THE COURTYARD
According to the Torah's account, the last mention of anything that God
showed to Moshe on the mountain is the outer altar. After this, the Torah
describes the courtyard of the Mishkan and the gate of the courtyard (Shemot
27:9:19), and this is followed by the priestly garments that are described in
Shemot 28.
The materials used in building the courtyard are the simplest. The
assumption is that they are more representative of the people of Israel and less
representative of the resting of the Shekhina. At the revelation at Mount
Sinai, the people of Israel were found at the foot of the mountain and did not
ascend the mountain. The Mishkan is a continuation of the revelation at
Mount Sinai, and since the people of Israel did not ascend the mountain itself,
R. Meir Shpiegelman proposes, there is no mention of the courtyard or the gate of the
courtyard. Since the people of Israel were not partners in the giving of the
Torah, the courtyard was also not part of what was shown on the mountain.
According to this approach, it would not have been possible to show Moshe
the courtyard and the screen of the gate of the courtyard because the people of
Israel were not permitted to ascend the mountain.
Perhaps the matter depends on the question of whether the laver and its
pedestal are vessels of service, like all the other vessels, or whether they are
preparatory vessels. If these vessels were used to prepare for the mitzva,
and not for a mitzva themselves, perhaps this is the reason that the
command relating them does not appear in the main command regarding the
structure of the Mishkan in Parashat Teruma, but rather in
Parashat Ki-Tisa.
According to this explanation, we can also understand why the priestly
garments were not shown to Moshe on the mountain. Since the priests were also
not permitted to ascend the mountain, the priestly garments that were used in
the Mishkan were not shown on the mountain. (R. Shpiegelman suggests two additional explanations of the fact that the
priestly garments were not included among those things that God showed Moshe on
the mountain.)
It is interesting that despite the fact that the courtyard itself was not
shown to Moshe on the mountain, the whole-burnt-offering altar was indeed shown
there to Moshe. This is because the altar itself is also connected to the
revelation of the Shekhina. This point is clearly evident in the
dedication of the Mishkan described in the framework of the eighth day,
following the seven days of milu'im:
And Moshe and Aharon went into the Tent of
Meeting and came out and blessed the people; and the glory of the Lord appeared
to all the people. And there came a fire out from before the Lord, and consumed
upon the altar the burnt offering and the fat, which, when all the people saw,
they shouted, and fell on their faces. (Vayikra 9:23-24)
The glory of God appeared to all the people, and it was revealed in the
issuing forth of fire from before God and in the consumption of the sacrifices
on the altar.
The Mishkan is the house of God, and therefore God gives the most
precise instructions as to its construction. The priests serve in the Mishkan,
but they are not a part of it. The priestly garments must also represent the
priests, and therefore the guidelines are general, rather than precise (and
clearly the garments must be made in sizes that fit each individual priest).
Furthermore, the Mishkan and its vessels are a direct continuation
of the revelation at Mount Sinai, the Written Law, and therefore God showed
Moshe their precise patterns on Mount Sinai, whereas the priestly garments are
the Oral Law. Moshe only received the framework, the precise interpretation of
which was given to his judgment. It is for this reason that the Torah emphasizes
that the garments were made "as God commanded Moshe" regarding the basics, while
the execution in practice depended on the interpretations of Moshe and Betzalel.
In light of what we have said, it seems that the
verses that note what God showed Moshe on the mountain are meant to help us
understand the meaning of the structure of the Mishkan. In light of this
understanding, it is possible to speak about the following division: the
vessels, the structure, and the outer altar.
It is possible to understand that the vessels
and the structure were two components of the same structure, but we relate
independently to the framework, on the one hand, and its contents, on the other. The outer altar, however, constitutes a separate section.
This understanding supports seeing the Mishkan as comprised of two parts:
1) The inner structure and its vessels.
2) The outer altar.
In the next shiur, we shall bring additional proofs to this basic
division.
(Translated by David Strauss)
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